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meir_s studio
  • Paintings
  • Drawings
    • Display All
    • Gallery One
    • Gallery Two
    • Gallery Three
    • Gallery Four
  • PUBLIC WORK
  • Small Works
  • About
  • Contact
  • INSTAGRAM FEED

BIO

Méïr Srebriansky (b. 1976 in Strasbourg, France) is an abstract painter based in New York City. He earned his BFA from École Nationale Supérieure des Arts Décoratifs in Strasbourg. In France, influenced by French and American New Wave cinema, he painted a series called “Wasted Pictures” which were based on blurred film stills. It was then that his paintings started entering the world of abstraction. Moving beyond oil and acrylic, the artist incorporates resin in his painting practice. Now, reoccurring shapes, often derived from his figurative drawings, colors, and both two and three dimensional forms guide his labor-intensive process driven by popular culture, science, and the depths of his own imagination. Srebriansky has participated in residencies at Vermont Studio Center and Con Artist NYC. He has exhibited in the United States, Europe, and Asia at the Belskie Museum, Closter; European Parliament, Strasbourg; 81 Leonard Gallery, New York; East End Culture Club, Southampton NY; HK Walls, Hong Kong; one of his murals is permanently on view at The Mes Hall. Meir has an installation in the lobby of the HSBC Tower across the street from Bryant Park in New York City. He was included in Friend of the Artist Vol. 11. Srebriansky continues to actively make work out of his studio at Mana Contemporary in Jersey City.  

CV

Public Work

2022 HSBC TOWER, “AMBLE”, 452 Fifth Avenue, New York, NY, USA

Solo Shows

2020 81 Leonard Gallery, “Garden Party” New York, NY, USA

2020 81 Leonard Gallery, “Méïr Srebriansky: Age of Resin,” New York, NY, USA (see the online viewing room here)

Group Shows

2019 ATO Gallery x Blockchain Center, “Art x Tech,” Miami, USA

2019 Blackbird Gallery, “Wrapped Up in Winter,” New York, NY, USA

2019 Art House, “Mindshapes: Geraldine Neuwirth & Méïr Srebriansky,” Jersey City, NJ, USA

2019 VillageOne, “Surface Visions,” New York, NY, USA

2019 Art Apple NYC, “Akalines,” Brooklyn, NY, USA

2019 East End Culture Club, “Landscapes,” Southampton, NY, USA

2019 Belskie Museum of Art and Science, “Growth & Change,” Closter, NJ, USA

2018-2019 106 Rivington, "The Boring Gallery," New York, NY, USA

2017 Con Artist Collective & Gallery "Spring Residency Showcase," New York, NY, USA

2013-2017 MANA Contemporary, “Open House,” Jersey City, NJ, USA

2012 Bushwick Open Studios, “Intimate Planets,” Brooklyn, NY, USA

2006 La Chaufferie, “Interzone,” Strasbourg, France

2005 European Parliament, “Paintings,” Strasbourg, France

Art Fairs

2019 PULSE Art Fair, d’Arte Mart’s Booth, Miami

2019 Superfine! Art Fair, New York, USA

2019 HK Walls: Street Art and Mural Festival, ATO Gallery’s Booth, Wan Chai, Hong Kong

Awards

2019 1st Prize Winner - Belskie Museum of Art and Science, “Growth & Change,” Closter, NJ. USA

Residencies

2017 Con Artist Collective, New York, NY, USA

2017 Vermont Studio Center, Johnson, VT, USA

Press

Méïr Srebriansky Tests Boundaries in his Solo-Show Age of Resin, Cultbytes

Méïr Srebriansky: Age of Resin, White Hot Magazine

Hard Simplicity: Méïr Srebriansky ‘Age of Resin’ at 81 Leonard Gallery, FAD Magazine

Editors’ Picks: 19 Things Not to Miss in the Art World this Week, Artnet

Anna Mikaela Ekstrand in Conversation with Méïr Srebriansky, Friend of the Artist

Art Review: Mindshapes, The Jersey City Times

Two Artists Explore Inner Reality at this Latest Show at Art House, The Jersey Journal

Editorial: Méïr Srebriansky or The (Artistic/Administrative) Process, Mana Contemporary

Highlight Artists, Create! Magazine, Issue 16

Méïr Srebriansky: Nietzsche, Abstraction, and a Hint of Mickey Mouse, Cultbytes

Méïr Srebriansky: Interview by Jimon, Jimon Magazine

Waking the F*** Up, Building Community Through a Fake Start-Up, Cultbytes

Interview with Emmanuel Werthenschlag, So I Hear You're an Artist

Rufus Wainwright Dazzles at Vince's Good for Goods Holiday Party, Paper

STUDIO

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Meïr Srebriansky | © 2019